Alvin derald etler composer

Etler, Alvin (Derald), American oboist, teacher, and composer; b. Battle Creek, Iowa, Feb. 19, 1913; d. Northampton, Mass., June 13, 1973. He studied at the Univ. of III, with Shepherd at Case Western Reserve Univ., and with Hindemith at Yale Univ. (M.B., 1944), where he also taught (1942–46). He later taught at Cornell Univ. (1946–47), the Univ. of 111. (1947–49), and Smith Coll. (1949–73). He held 2 Guggenheim fellowships (1940, 1941). He was the author of Making Music: An Introduction to Theory (N.Y., 1974). His music is marked by stately formality of design.

Works

Orch. Music for Chamber Orch. (1938); 2 sinfoniettas (1940,1941); Passacaglia and Fugue (1947); Concerto for String Quartet and Strings (1948); Sym. (1951); Dramatic Overture (1956); Concerto for Orchestra (1957); Elegy for Small Orch. (1959); Concerto for Wind Quintet and Orch. (1960; Tokyo, Oct. 18, 1962); Triptych (1961); Concerto for Clarinet and Chamber Ensemble (1962; N.Y., Dec. 20, 1965); Concerto for Brass Quintet, Strings, and Percussion (1967); Concerto for String Quartet and Orch. (Milwaukee, June 13, 1968); Convivialities (1968); Concerto for Cello and Chamber Group (N.Y., March 2, 1971). CHAMBER : Suite for Oboe, Violin, Viola, and Cello (1936); Sonata for Oboe, Clarinet, and Viola (1944); Bassoon Sonata (1951); 2 clarinet sonatas (1952, 1969); Oboe Sonata (1952); 2 wind quintets (1955, 1957); Cello Sonata (1956); Concerto for Violin and Wind Quintet (1958); Sonata for Viola and Harpsichord (1959); 2 string quartets (1963,1965); Brass Quintet (1963); Sonic Sequence for Brass Quintet (1967). VOCAL: Onomatopoesis for Men’s Chorus, Winds, Brass, and Percussion (1965).

Bibliography

P. Shelden, A. E. (1913–1973); His Career and His Two Sonatas for Clarinet (diss., Univ. of Mdv 1978).

—Nicolas Slonimsky/Laura Kuhn/Dennis McIntire

American composer and musician

Alvin Derald Etler (February 19, 1913 – June 13, 1973) was an American composer and oboist.

Career

A student of Paul Hindemith, Etler is noted for his highly rhythmic, harmonically and texturally complex compositional style, taking inspiration from the works of Bartók and Copland as well as the dissonant and accented styles of jazz.

Though he played with the Indianapolis Symphony in 1938, he abandoned his orchestral life shortly thereafter to focus on his increasingly successful compositional career (which earned him two Guggenheim Fellowships during this period). In 1942 he joined the faculty at Yale University as conductor of the university band and instructor of wind instruments, where he began his studies with Hindemith. He also taught at Cornell University and University of Illinois before accepting a position at Smith College, which he held until his death.

Notable works include his two woodwind quintets (from 1955 and 1957), a bassoon sonata, the 1963 "Quintet for Brass Instruments", and "Fragments" for woodwind quartet.

Etler is also the author of Making Music: An Introduction to Theory, an introductory-level theory text published posthumously in 1974.

Works list

Alvin Derald Etler (February 19, 1913 – June 13, 1973) was an Americancomposer, inspiring composition teacher, and oboist.

A student of Paul Hindemith, Etler is noted for his highly rhythmic, harmonic and texturally complex compositional style, taking inspiration from the works of Béla Bartók and Aaron Copland as well as the syncopated rhythms of jazz. He did his formal studies at the University of Illinois, the Cleveland Institute of Music and Western Reserve University in Cleveland, Ohio. Although Etler's later works are the progenies of serialism and the post World War II compositional rationale, these works tend to have distinct tonal references. Like his mentor Paul Hindemith, he embraced the "neo-Baroque" concepts of form and polyphonic writing.

Important Works

Etler received several important commissions from major orchestras and a number of these works were premiered by prominent conductors including Fritz Reiner, who conducted the premiere of the Symphonietta in 1941, his Passacaglia and Fugue in 1947 with the Pittsburgh Symphony Orchestra, and George Szell, who commissioned the Concerto in One Movement for the Cleveland Orchestra in 1957. His Concerto for Wind Quintet and Orchestra was premiered by the Japan Philharmonic in 1960 and was subsequently performed in 1962 by both the New York Philharmonic, under the baton of Leonard Bernstein, and the Boston Symphony Orchestra, under the direction of Erich Leinsdorf.

His Concerto for Brass Quintet, String Orchestra and Percussion and his Sonic Sequence for Brass (both composed in 1967), were recorded by the National Orchestra Association under conductor John Barnett for Composers Recordings, Inc.

His large scale works include:

Music for Chamber Orchestra (1938)

Symphonietta (1941)

Passacaglia and Fugue (1947)

Concerto for String Quartet and Orchestra (1948)

Symphony (1951)

Dramatic Overture for Orchestra (1956)

Concerto for Wind Quintet and Orchestra