Kamsee biography definition

Purana and Itihasa (epic history)

Kandarpa (कन्दर्प).—Another name for Kāmadeva. Kāmadeva was born of the mind of Brahmā and as soon as he was born he turned to Brahmā and asked "Kaṃ darpayāmi?" (Whom should I make proud?) So Brahmā gave him the name Kaṃdarpa alias Kandarpa. (Lāvāṇakalambaka, Kathāsaritsāgara, Taraṅga 6).

Kandarpa (कन्दर्प) is the one of the names of Kāma, according to the Śivapurāṇa —“[] The Brahmins Marīci and others, my sons, decided on suitable names for the Being and said thus”. The sages said:—“[] Causing elation in others you will be known as Madana. Since you were haughty even as you were born you will be Darpaka and your name Kandarpa will also become popular in the world”.

1a) Kandarpa (कन्दर्प).—The name of the 8th kalpa

1b) An attribute of Manmatha.

• * Brahmāṇḍa-purāṇa IV. 67; 54 and 85; Matsya-purāṇa

The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over , shlokas (metrical couplets) and date to at least several centuries BCE.

Discover the meaning of kandarpa in the context of Purana from relevant books on Exotic India

Kavya (poetry)

Kandarpa (कन्दर्प) is the name of a Brāhman from Ratnapura, as mentioned in the Kathāsaritsāgara, chapter Accordingly, “ there is on the bank of the River Veṇā a city named Ratnapura; I am a

Thai actress

Suvanant Kongying (Thai: สุวนันท์ คงยิ่ง; RTGS:&#;Suwa-nan Khong-ying; born 22 July in Bangkok) also known by her nickname Kob (Thai: กบ; RTGS:&#;Kop), is a Thai actress. She was the lead actress in many Thai lakorns in the ss. She has appeared in several lakorns (dramas), including Dao pra sook with Sornram Teppitak, in which she played Dao, the main character. She has been voted people's choice winner for top actress for many years. She's considered Thailand's most famous actress and her leading lakorn partner is Sornram Teppitak.

Early life

Suvanant was born in Sirirat Hospital, and lived with her grandmother at Chachoengsao when she was a baby. She moved to Bangkok with her family when she was three to four years old. Her father, Amnuay Kongying (d. November ), was a teacher, and her mother, Ubonrat Kongying, works at the ministry of Agriculture and Cooperative. She also has a younger brother named Apisith Golf Kongying. Suvanant began acting from a very young age.

Career

Her first performance in a traditional Thai folklore drama won her widespread popularity and her first major acting award, to which she has since added many. She went on to star in Dao pra sook (Morning Star), in which she played a teenager abandoned as a baby but who grows up to find that she is after all wanted by many people, including the leading male character portrayed by Sornram Theppitak.

She is now married to Danuporn Poonnakan also known as Brook who had been her acting partner.

Suvanant graduated with a bachelor in Communication Arts from Rangsit University. She was

1Sheng, popularly defined as an acronym for “Swahili-English slang” (Mazrui, ), emerged in the s in the multicultural environment of Nairobi. It is an urban language which combines mainly Kiswahili and English but also other Kenyan languages such as Kikuyu, Luyha, Dholuo and Kikamba. Sheng is characterized by an important linguistic flexibility. It does not have an official status even if it is widely spoken, especially by the youth. Originally used as a vehicular language between people from different regions, it is becoming a vernacular language, some people born in the s or later having Sheng as their first language. Sheng is not a unique linguistic phenomenon in Africa. In the last fifty years, urbanization and globalization have prompted the emergence of new urban linguistic codes. Such codes are based on multilingual speech and characterized by unstable vocabulary. Many of these varieties derived from a criminal slang to a youth code. Despite constant devaluation by educationalists, traditionalists, language planners and the elites, those youth languages have expanded and transformed into urban varieties that feature highly in popular culture and the media. This is the case for Nouchi (a mixed code made of French and local languages spoken in Abidjan), Tsotsitaal/Isicamtho (Johannesburg), Hindubill (in Kinshasa, mainly made of Lingala and French), and others. Beck ( 12) affirms about African urban languages that:

These “languages,” whose linguistic and language-sociological status is still largely unsettled, initially caused a stir among language guardians and educational politicians who were concerned about cultural decay and language loss in the population. This attitude has left its mark on some of the earlier scholarly literature on the topic. Today, however, linguistics is rather interested in the exceptional acceleration of language change, and in the question of whether language birth can be witnessed in contemporary Africa. After all