Guin batten biography of abraham

PROOF Contents Acknowledgements vii Notes on Contributors x Introduction Anne Karhio, Seán Crosson and Charles I. Armstrong 1 Part I The Limits of Expression: Representation and Identity 1 Form, Historical Crisis and Poetry’s Hope in George Szirtes’s ‘Metro’ John Sears 19 2 Persona, Trauma and Survival in Louise Glück’s Postmodern, Mythic, Twenty-First-Century ‘October’ Mary Kate Azcuy 33 3 50 Hern: The Catastrophe of Lyric in John Burnside Scott Brewster Part II A Special Case: Crisis and Poetry in Northern Ireland 4 ‘In a ghostly pool of blood / a crumpled phantom hugged the mud’: Spectropoetic Presentations of Bloody Sunday and the Crisis of Northern Ireland Ruben Moi 61 5 ‘The Given Note’: Traditional Music, Crisis and the Poetry of Seamus Heaney Seán Crosson 82 6 ‘Crisis first-hand’: Seamus Heaney before and after the Ceasefire Stephen Regan 99 7 The Mundane and the Monstrous: Everyday Epiphanies in Northern Irish Poetry Charles I. Armstrong Part III Situated Words: Place, Ecology and Landscape 8 ‘The memorial to all of them’: Landscape and the Holocaust in the Poetry of Michael Longley Brendan Corcoran v PROOF vi Contents 9 ‘Toward a Brink’: The Poetry of Kathleen Jamie and Environmental Crisis Lucy Collins 10 Sounding the Landscape: Dis-placement in the Poetry of Alice Oswald Janne Stigen Drangsholt 11 Place, Narrative and Crisis in the Long Poems of Paul Muldoon Anne Karhio Part IV Suspended Judgements: Rethinking Poetic Reception 12 Paul Muldoon: Critical Judgement, the Crisis Poem, and the Ethics of Voice Guinn Batten 13 Displacing the Crisis: New British Poetry, Cultural Memory and the Role of the Intellectual Eva Mueller-Zettelmann 14 The Body of Text Meets the Body as Text: Staging (I)dentity in the Work of SuAndi and Lemn Sissay Deirdre Osborne Selected Critical Bibliography Index PROOF Introduction Anne Karhio, Seán Crosson and Charles I. Armstrong Occasionally, major collective turning points find means of poetic

25 October

William O’Chee writes:

As readers will know, HTBS sometimes highlights items of rowing memorabilia that come up for auction. One recent piece was identified as being of particular historical significance. The item in question was a pewter presentation tankard given in to the winners of the Brasenose Scratch Fours, and constitutes a relic of a portion of Oxford rowing that is largely unrecorded by rowing historians.

A consortium of past members of the College purchased the item, which has now made a welcome homecoming over years after it was first presented.

Although rowing between the colleges had been taking place at Oxford since the first Head of the River in , many men who rowed never got to compete in the two major regattas of Torpids and Eights.

The reason for this was that until the late s colleges were restricted to enter one crew in each competition. However, the membership of the boat clubs of significant rowing colleges far exceeded those who could be accommodated in two crews.

To enable these members to race, the colleges organised their own regattas, which usually comprised races between scratch crews to ensure some uniformity of competition, and to encourage those who had not yet made the college crews.

In most cases, the college boat clubs did not keep lists of their members, and only rarely did they record the names of those competing in college regattas. The surviving trophies from these races, therefore, provide important historical and social information about college rowing in the 19th century.

Throughout this period, Brasenose College was arguably the most successful of the Oxford Colleges, claiming the Head of the River in Torpids 22 times in the 62 years it was contested between and They were also Head of the River in Eights 20 times between and

The s represented something of interregnum between the imperious s of W.B. Woodgate, and the s and early s when the C

Teplitsky, Joshua. "Bibliography". Prince of the Press: How One Collector Built History's Most Enduring and Remarkable Jewish Library, New Haven: Yale University Press, , pp.

Teplitsky, J. (). Bibliography. In Prince of the Press: How One Collector Built History's Most Enduring and Remarkable Jewish Library (pp. ). New Haven: Yale University Press.

Teplitsky, J. Bibliography. Prince of the Press: How One Collector Built History's Most Enduring and Remarkable Jewish Library. New Haven: Yale University Press, pp.

Teplitsky, Joshua. "Bibliography" In Prince of the Press: How One Collector Built History's Most Enduring and Remarkable Jewish Library, New Haven: Yale University Press,

Teplitsky J. Bibliography. In: Prince of the Press: How One Collector Built History's Most Enduring and Remarkable Jewish Library. New Haven: Yale University Press; p

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