Barry wernick mini biography of edgar
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In the Best Possible Tastes: Rhetoric and Taste in AlP’s Promotion of Roger Corman’s Poe Cycle
Abstract
One day over lunch in 1960, American International Pictures (AIP) executives Samuel Z. Arkoff and James Nicholson asked Roger Corman, their in-house director, to make two black-and-white horror films at $100,000 each. Corman pitched a better idea, a film based upon Edgar Allan Poe’s short story “The Fall of the House of Usher.” Corman rationalized that Poe “has a built in following with [kids]…. He’s read in every high school. Plus one quality film in colour is better than two cheap films in black and white” (qtd. in McGee 249). In his pitch, Corman identified the dual appeal of Edgar Allan Poe as a part of the American literary canon but also a fan favorite. He proposed a strategy for AIP to reposition the studio upmarket. Previously, AIP was regarded as an exploitative production company, something that Arkoff and Nicolson seemed to revel in. Arkoff, for instance, stated that all the company was interested in were “[t]its and ass. Sex and Violence…. Anything else is arty farty” (qtd. in McGee 137). Corman was a director that Arkoff and Nicholson employed for his fast turnover, miniscule budgets, and reliability as much as his competence. Up to this point he produced black-and-white films in teen-targeted genres such as horror, science fiction, and juvenile delinquency (JD). The Fall of the House of Usher (1960) and the Poe cycle “is one of the high points in the commodification of Poe, imposing a theatrically gothic aspect to his writings … and making him a favorite to a wide range of audiences” (Neimeyer 218). It was shot in full color and Cinemascope for $270,000, most of which was paid to the star, Vincent Price. Price, Poe, Corman, and AIP were to be inextricably connected for four years and seven films in the Poe cycle.
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Simila 20. yüzyıl klasik müzik bestecileri listesi
İsimi Doğum yılı Ölüm yılı Uyruğu 20.yüzyıldaki önemli eserleri Açıklama Dancla, CharlesCharles Dancla 1817 1907 Fransız Solo de concours no. 7, Op. 224 Arditi, LuigiLuigi Arditi 1822 1903 İtalyan Briganti, II Corsaro ve La Spia (Casus) Kirchner, TheodorTheodor Kirchner 1823 1903 Alman 4 Elegies, Op.37 Reinecke, CarlCarl Reinecke 1824 1910 Alman String Quartet No. 5, Op. 287 Hol, RichardRichard Hol 1825 1904 Hollandalı No. 1 in C minor (1863) Minkus, LudwigLudwig Minkus 1826 1917 Avusturyalı La Bayadère (1877) ve Roxana (1878) Eskesen, MortenMorten Eskesen 1826 1913 Danimarkalı Gevaert, François-AugusteFrançois-Auguste Gevaert 1828 1908 Belçikalı Christmas Carol (1859) Grandval, Clémence deClémence de Grandval 1828 1907 Fransız Parker, James Cutler DunnJames Cutler Dunn Parker 1828 1916 Amerikan Blumenthal, JacquesJacques Blumenthal 1829 1908 Alman Goldmark, KarlKarl Goldmark 1830 1915 Macar Ein Wintermärchen; Aus Jugendtagen Klindworth, KarlKarl Klindworth 1830 1916 Alman Schellendorff, Hans Bronsart vonHans Bronsart von Schellendorff 1830 1913 Alman Palm, Jan GerardJan Gerard Palm 1831 1906 Hollandalı Allen, Benjamin DwightBenjamin Dwight Allen 1831 1914 Alman Jadassohn, SalomonSalomon Jadassohn 1831 1902 Alman Joachim, JosephJoseph Joachim 1831 1907 Macar Rothschild, Mathilde Hannah vonMathilde Hannah von Rothschild 1832 1924 Alman Bériot, Charles-Wilfrid deCharles-Wilfrid de Bériot 1833 1914 Fransız Brambach, Caspar JosephCaspar Joseph Brambach 1833 1902 Alman Rozkošný, Josef RichardJosef Richard Rozkošný 1833 1913 Çek Becker, GeorgeGeorge Becker 1834 1928 Alman – İsviçreli Berger, FrancescoFrancesco Berger 1834 1933 İngiliz Baumanis, KārlisKārlis Baumanis 1835 1905 Litvanyalı Branzoli, GiuseppeGiuseppe Branzoli 1 A Public Service Week 2024 letter Shirley Jones gives Charlie Chaplin a hand
GOOD MORNING: “I once gave Charlie Chaplin a hand job.” That’s the opening line in “Nana’s Boy” for Shirley Jones, who once played the hooker-with-a-heart — and won an Oscar in “Elmer Gantry.” Her young co-star Nick Swardson then asks her, “Was he silent?” “Not after I was done with him,” Jones replies. In “Nana’s” Jones’ ambition is to bed 20-year-old boys. Co-stars Doris Roberts and Shirley Knight are set in equally sexually oriented situations in the pic. The three femmes agree there’s been nothing like these salty roles in their previous long list of credits. They play a trio of grandmothers living together, filling the script with sizzling four-letter prose written by Barry Wernick (Sandy Wernick’s son and Adam Sandler’s manager), Allen Covert and Swardson. The pic is from Sandler’s Happy Madison Prods. and co-stars Covert. Exec producers are Sandler and Jack Giarraputo. Covert also produces and 20th distribs. Others filming for Happy Madison are “Deuce Bigalow, European Gigolo,” starring Rob Schneider and Eddie Griffin, and “Bench Warmers,” also with Schneider and David Spade.
THE FLAP over the 10 Commandments — either in stone or on film — doesn’t faze Robert Halmi. An addendum to last week’s story about the 6-foot-tall Texas monolith noted that, in addition to Paramount’s continued profits (TV and DVD) from the 1956 DeMille film, Par and producer Mark Gordon are working on a remake of the epic. To which Halmi tells me he starts production on his four-hour ABC pic “The 10 Commandments” May 23 in Morocco, Turkey and Jordan. Robert Dornhelm directs, Howard Ellis produces and Ron Hutchinson and Halmi are exec producers. Halmi adds, “It’s good so many ’10 Commandments’ are being made. Every
20. yüzyıl klasik müzik bestecileri listesi
Shirley Jones gives Charlie Chaplin a hand
GOOD MORNING: “I once gave Charlie Chaplin a hand job.” That’s the opening line in “Nana’s Boy” for Shirley Jones, who once played the hooker-with-a-heart — and won an Oscar in “Elmer Gantry.” Her young co-star Nick Swardson then asks her, “Was he silent?” “Not after I was done with him,” Jones replies. In “Nana’s” Jones’ ambition is to bed 20-year-old boys. Co-stars Doris Roberts and Shirley Knight are set in equally sexually oriented situations in the pic. The three femmes agree there’s been nothing like these salty roles in their previous long list of credits. They play a trio of grandmothers living together, filling the script with sizzling four-letter prose written by Barry Wernick (Sandy Wernick’s son and Adam Sandler’s manager), Allen Covert and Swardson. The pic is from Sandler’s Happy Madison Prods. and co-stars Covert. Exec producers are Sandler and Jack Giarraputo. Covert also produces and 20th distribs. Others filming for Happy Madison are “Deuce Bigalow, European Gigolo,” starring Rob Schneider and Eddie Griffin, and “Bench Warmers,” also with Schneider and David Spade.
THE FLAP over the 10 Commandments — either in stone or on film — doesn’t faze Robert Halmi. An addendum to last week’s story about the 6-foot-tall Texas monolith noted that, in addition to Paramount’s continued profits (TV and DVD) from the 1956 DeMille film, Par and producer Mark Gordon are working on a remake of the epic. To which Halmi tells me he starts production on his four-hour ABC pic “The 10 Commandments” May 23 in Morocco, Turkey and Jordan. Robert Dornhelm directs, Howard Ellis produces and Ron Hutchinson and Halmi are exec producers. Halmi adds, “It’s good so many ’10 Commandments’ are being made. Every